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I often forget that I love you.
We’ve talked about it. 
It doesn’t mean I treat you bad.

Sometimes I look at you, though,
like I don’t know you, 
and you tell me that hurts. 

The amnesia is puzzling, because love 
is easily the most important thing 
that has happened to me.

But even simple things I am unable to recall, 
like the faint smile line that shows itself when 
you are pushing your mouth against mine. 

Or how your eyes slump in exactly 
the same way when you are angry 
and when you are aroused.

I forget about love because it doesn’t have a clear definition, like anthropomorphism or fustigate 
or words like that. 

I forget because the humanish shadow that
follows me says that love is just another cruel
and manipulative voice in my head.

I want you to know that it is not your fault.
I learned how to forget a long time ago. Numbness is
the guardian angel of children of narcissists.

But I really want to remember now, because I am tired
of hurting you. So I’ve devised a plan 
that fills in some of my holes: 

I find what makes you happy, 
and I appropriate it.

I turn into a Tiffany’s display. I reason,
if I am near items of high value, 
I am an item of high value. 

I cover myself in conversation pieces to make you 
respond in detailed movements that I can observe.
The details are important. 

Most days you are the only thing I see in detail. 
Other people slide about my vision,
blurred shapes in brown.
But you are alive in detail. I can love you in detail. 

So I might say something like this: 
I read a little more Updike today. 
Or this: I hear they do yoga on the roof of Whole Foods. 

 Across the street lives a nice man 
who gives tennis lessons. I think he went 
to the same school as Agassi or Sampras. 

I watch your face, 
stationary as a bicycle wheel.
I am a dog with a rabbit at your feet.

I confess. Updike is precious. 
Tennis is exhausting. White people yoga is bullshit.
But that is not the point.

Nods and smiles and looks of recognition
jolt me like electric shock. They clear my mind 
of mad thoughts. They restart my heart.

I am a street performer. 
My hat is overturned a few steps away from me,
and white makeup is caking on my collar.

The plan works.
The sweets I lay out are too tempting for you to resist,
and you greedily consume all space between us.

I have won something. But in the commotion, 
I forget to collect. I go somewhere else.
I don’t know where. It is deserted
and the street signs are blank. 

Sometimes I’ll look for something familiar
to lead me back.
Your grasping hair, your open mouth,
but they are too bright and I am too blind to see. 

Then it is done and I am thirsty as a desert.
You have poured swollen rains on me,
which have turned into floods. 
How easily they disappear again into the sands.


Published in Chaleur Magazine in July 2018